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Murder most incidental: Arthur Upfield’s death of a Lake (1954)
- Franks, Rachel, Rolls, Alistair
Homogenizing the radical, or vice versa? adapting (to) The Murder of Roger Ackroyd
- Rolls, Alistair, Franks, Rachel
Metropolitan Collections: Reaching Out to Regional Australia
- Webb, Damien, Franks, Rachel
Making a meal of it: food as a symbol of degrees of fiction in the novels of Arthur Upfield
A woman's place: constructing women within true crime narratives
- Franks, Rachel
Discovering Indigenous Australian culture: building trusted engagement in online environments
- Thorpe, Kristen, Galassi, Monica, Franks, Rachel
Hard-boiled detectives and the Roman noir tradition
Learning all the tricks: critiquing crime fiction in a creative writing PhD
Rereading investigation and re-presenting private investigators
Trial by jury and newspaper reportage: re-writing women's stories from legal transcripts and contemporaneous journalism
- Brien, Donna Lee, Franks, Rachel
'A world of fancy fiction and fact': the Frank C. Johnson archive at the State Library of NSW
'There's a dead body in my library': crime fiction texts and the history of libraries
A true crime tale: re-imagining Governor Arthur's proclamation to the Aborigines
Bodies and books: crime fiction novels and the history of libraries
Exploring power: Aboriginal artefacts and records in Australian libraries and archives
- Thorpe, Kirsten, Galassi, Monica, Franks, Rachel
Murder, mayhem and clever branding: the stunning success of J. B. Fletcher
- Franks, Rachel, Brien, Donna Lee
Phryne Fisher: feminism and modernism in historical crime fiction
- Johnson-Woods, Toni, Franks, Rachel
Power shift: re-interpreting the G. E. Morrison Collection
- Denoon, Louise, Franks, Rachel, Hone, Sally
The role of the 'standard rig' in illuminating a production of Reginald Rose's Twelve Angry Men (1954)
- Dwyer, Simon, Franks, Rachel
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